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Showing posts from October 19, 2009

Respectable workers, decent housewives.

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Rosemblatt, Karin Alejandra. Gendered Compromises. Political Cultures and the State in Chile, 1920-1950. Introduction pp. 1-25. Chapel Hill and London: University of North Carolina Press, 2000. This book revolves around the argument that the modernizing project in Chile during the first half of the twentieth-century was formulated as a gendered project, in which the state drew a line between respectable men (workers), respectable women (housewives and mothers), and the undisciplined "other". Moreover, they opposed rationality —linked to modern citizenship— to uncontained sexuality. This was in turn linked also to the racialized aspect of the national project: the whitening of the nation. Thus, trough the control over sexuality the racial boundaries of the nation were to be sustained. Rosemblatt analyses diverse sources, such as state documents and fiction, to document the project of the popular front (the center-left coalition that governed in Chile between the 1920's a

The women who helped bring Allende down.

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Power, Margaret. La Mujer de Derecha. El poder femenino y la lucha contra Salvador Allende, 1964-1973. Santiago: Ediciones de la Dirección de Bibliotecas, Archivos y Museos, 2008. Power analyzes the right-women's movement, its role in the opposition to Allende's socialist government in Chile (1970-1973) and in the military coup itself. Power makes a convincing argument that gender ideologies were put at play and performed dramatically during the military coup and the events that lead to it. Women presented themselves as the a-political mothers who were defending their private homes (family) and public home (the Fatherland, the nation) and the opposition to Allende exploited this idea. Women interpellated men in their (lack of) masculinity to defend women and children. They used their kitchen pans as symbols of female domesticity to protest the government, which they accused prevented them from fulfilling their natural roles properly. The public performance of conservative women